Snickers

Snick­ers

Snick­ers was always posi­tioned as a sort of inter­im meal. The orig­i­nal agency, Bates World­wide, a sub­sidiary of Saatchi & Saatchi, had cre­at­ed the work­man­like cam­paign “Packed With Peanuts, Snick­ers Real­ly Sat­is­fies.” A typ­i­cal spot showed a fire­man scarf­ing down a Snick­ers between meals.

When Mau­rice Saatchi was famous­ly oust­ed from his own agency for being a spend­thrift, M&M/Mars hand­ed $375 mil­lion worth of busi­ness to BBDO. The Snick­ers strat­e­gy did­n’t change, but the new goal was to tar­get males age 18 to 22, and the com­pa­ny was open to any­thing. The “Hun­gry? Why Wait?” cam­paign revived a 67-year-old can­dy brand and won the Grand EFFIE Award.

Snick­ers | Scoreboard

This was one of the first two spots BBDO cre­at­ed for Snickers.

Snick­ers | “Cast­ing Call”

The Snick­ers clients were will­ing to try any­thing. Not every­thing, how­ev­er, made it to air. Here’s one spot that was a bit too strange even for them.

Snick­ers | “Ele­phant Walk”

This depar­ture from the cam­paign pro­mot­ed the addi­tion of even more peanuts to Snick­ers. We used a real ele­phant as well as a CGI crea­ture orig­i­nal­ly cre­at­ed by Indus­tri­al Light and Mag­ic for the film Juman­ji .

Snick­ers | “Ice Cream Cone”

Reese’s Peanut But­ter Cups showed fluke acci­dents to explain how choco­late and peanut but­ter com­bined to cre­ate a total­ly new prod­uct. We found a more appeal­ing way to com­bine ice cream cones and a Snick­ers bar.